Showing posts with label Legion. Show all posts
Showing posts with label Legion. Show all posts

What the Killer Sees: Ricardo Clement

Killer: Ricardo Clement (Bob Wilde)

Episode: “Gehenna” (1 November 1996)

Writer: Chris Carter

Director: David Nutter

Quote: “Something happened down in San Francisco.” --Frank Black

“Anything you want to talk about?” --Catherine Black

“I'm just confused about something I thought I understood about evil. What it is, exactly.” --Frank Black

“You mean, what causes it?” --Catherine Black

“It seems that the old biblical concept of the devil's influence has lost any currency.” --Frank Black

“I just think the language has changed. I think science and psychology have given us a clearer idea of why people commit evil acts. I see it every day – abused kids become abusive adults.” --Catherine Black

“So the true source of evil is us.” --Frank Black

“You mean, are we all capable of it?” --Catherine Black

“Or is there something out there – a force or a presence – waiting until it can create another murder, another rape, another holocaust.” --Frank Black

“I think it's something that everyone who looks deeply at life wonders.” --Catherine Black

“What would you tell a child? What would I tell Jordan?” --Frank Black

“Maybe you should just tell her goodnight.” --Catherine Black

Profile: Ricardo Clement is perhaps even more of a mystery at the end of his encounter with Frank Black than he at first appeared. What we do learn of him for sure, however, is his position as a sinister cult leader with a deadly agenda.

The cult leader tends towards a dictatorial regime, controlling his subjects through manipulation and often by preying on the weak. It is for this reason that former member become victim Eedo writes to his family with such genuine conviction about the beliefs of the cult to which he has fallen victim. We see evidence of this manipulation from Clement as he brainwashes his telemarketers with a series of slogans continually projected onto their gloomy office wall.

A cult leader’s inflated ego nearly always co-exists alongside a flagrant disregard for his subjects couched behind a veneer of charm and guile. This psychopathology is theorised to often stem from deep rooted feelings of anger such that other people become objectified to the extent that the cult leader experiences no feelings of guilt over their fates. This theory of suppressed rage may also explain Clement’s incredibly sadistic means of dispatching his victims; as Frank notes, he wants to watch them suffer and specifically wishes to see them burn alive. This is perhaps another thematic link to Gehenna since followers of Moloch, one of the false gods worshipped at the original site as referenced in the Hebrew Bible, used to sacrifice their children by fire. Furthermore Clement is another example of a highly organised killer, having his victims lured into his clutches whilst he looks on with night vision goggles before murdering them and disposing of their remains in a very specific and carefully orchestrated fashion.

Furthermore, the cult behind Gehenna International would be classified as a “destructive cult” in that it knowingly inflicts emotional and physical harm upon its own members, in this instance in a particularly violent fashion. It is a term sometimes extended in this new millennium to also include certain terrorist groups. Whilst the reference during the investigation by Mike Atkins to sarin attacks in Japan directly links to Aum Shinrikyo, practices of harm towards its own members are perhaps better exemplified by the history of the Branch Davidians. The belief in end of the world prophecies is common to both and another well-known attribute of such cults, exemplified here by Gehenna International’s ultimate design.

There is one further theme explored in this episode that is particularly pertinent to this column: that of the very source of evil itself. Brian A. Dixon recently discussed the introduction of the notion of Legion in his consideration of this episode in his Second Sight column, whilst the age old argument of nature or nurture was a point of discussion in the comments prompted by the very first edition of this column, witnessing the “birth” of a serial killer in “Broken World”. The brief representations of Clement as a demon and his eerie and knowing glares towards Frank even when he is hidden via one-way glass hint at the manifestation of some deeper evil power at work, a possibility Frank speaks of in the conversation with Catherine quoted at the top of this column. Catherine’s view is one more rooted in the developing field of psychology alongside science to explain such actions, whilst acknowledging that the debate on the subject continues. It is of course a dichotomy so superbly dramatised throughout Millennium and here personified in the enigma that is Ricardo Clement.

Kills: Unknown (at least 7)

Investigation: The investigation into Ricardo Clement and Gehenna International begins when quantities of ash dumped in the rose beds at a San Francisco public park are found to contain a human ear and then on further examination revealed to contain the remains of at least seven people. Traces of the gas phosgene lead to an abandoned dry-cleaning facility that suffered an accident some years previously, and a tooth found at this scene linking to a missing Russian first makes the connection to the cult via a letter sent by the missing man to his family six months previously.

Frank makes the connection to Gehenna International after consulting The Bible (and not for the last time in his work connected to The Millennium Group) back at home in Seattle. Sharing this with his mentor Mike Atkins, Frank unwittingly leads him into danger when Atkins decides to follow up this potential lead by investigating their facility alone. He barely escapes with his life but Frank’s hunch is proven correct, the cult is revealed and its leader, Ricardo Clement, is finally brought into custody.

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Second Sight: "The Judge"


“The Judge” (15 November 1996)

Writer:
Ted Mann
Director: Randy Zisk
Editor: Stephen Mark

Quote: “Five hundred years ago, you would have been burned as a witch.” --Bob Bletcher to Frank Black


Overview:
In “The Judge,” Bob Bletcher teasingly calls attention to the seemingly miraculous nature of Frank Black’s gift by associating his talents with witchcraft. Frank, of course, rejects the comparison. “Nothing I do is magic,” the profiler insists with a straight face and, for perhaps the first time since the series was launched, the casework that follows fully supports his position. This episode dutifully presents the usual stylized flashes of insight as imaginative extrapolations of the evidence at hand. Each and every one of the visions is clearly prompted by clue or cue seen, heard, or felt by Frank Black--and, by extension, the audience. Blood and tissue samples found under the fingernails of a corpse prompt our hero to reconsider the events of an early killing; the expert analysis voiced by a pathologist induces a visualization of precisely how a new victim was subdued.

Slowed down, taken frame-by-frame, the lurid visions seen here reveal details of the crimes never otherwise shown or discussed on screen and thus act as a compelling representation of the complexities of Frank Black’s investigative thought process. This is one of many Millennium installments in which the visionary sequences contain far more detail than could ever be properly absorbed by the audience during a traditional viewing--a veritable visual overload, especially for a collective total of eleven seconds of screen time. They reveal just how much artistic effort was put into crafting these fleeting displays on film.

While it may not be directly tied to the subject matter of Frank Black’s visions, mention must also be made of the portentous tête-à-tête that takes place between our hero and his unique opponent. When Frank asks for the eponymous Judge to provide his name, the livestock auctioneer turned vigilante insists that his true name is Legion. He explains that the chosen moniker is adopted from the story related in Mark 5:1-19--appropriately enough, a tale involving Jesus, a demon, and a herd of hogs. The grim meaning invested in that name was at once seized upon by Millennium’s fan base as an apt identification for the ominous force that was first seen in “Gehenna” and would come to make its presence felt more and more strongly as the series progressed. Mark my words: that evocative name, first cited in our review of the visions seen in the show’s second installment, will certainly mark future columns.

Connections: The Judge relates the parable of Mark 5:1-19, the story of Legion, and thereby provides both Frank Black and the audience with a moniker for the demonic presence previously glimpsed in “Gehenna.”

Trances in Total: 4 (0:11)

Gore Score: 10/10

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Second Sight: "Gehenna"


“Gehenna” (1 November 1996)

Writer:
Chris Carter
Director: David Nutter
Editor: Stephen Mark

Quote: “You've seen it, haven't you? Seen the hideous face... Seen the red rain falling in the face of the beast. I’ve seen it too. I know why you’re afraid.” --Frank Black


Overview:
While the visions of “Pilot” focused exclusively on victims, offering us strobe-lit portraits of immolated men and blood-soaked women, the rapid-fire visuals of “Gehenna” are clearly more concerned with examining the episode’s demonic killer. Given the storyline, nothing could be more appropriate. An admittedly confused Frank Black spends much of this episode grappling with uncertainty regarding the true nature of evil and the profiler’s dilemma is represented in his trademark flashes of insight. When Frank imagines the face of cult leader Ricardo Clement, clenched teeth and unblinking night-vision goggles are at once swapped for the gaping maw and doglike snout of a winged demon. For the first time in the series, Millennium offers the viewer a tantalizing glimpse at the snarling, bestial face of the demonic presence that would come to be known as Legion. This single, perfectly realized blink-and-you’ll-miss-it visual is so distinctive, so disturbing, so unshakably memorable that it would come to be used throughout the series to identify the presence of true evil.

While these hellish visuals could be tied to Frank’s mounting uncertainty, they also serve to heighten our own uncertainty regarding the true nature of his unique abilities. Does Frank see the face of Clement as that of a demon because his personal understanding of evil is changing, or is the cult leader truly acting as the embodiment of otherworldly forces? The riddle is furthered somewhat in “Gehenna” by Frank’s professional colleagues, the trio of Millennium Group operatives who aid him throughout his investigation into the activities of Gehenna International. Silently, in sidelong glances or quizzical stares heavy with meaning, Peter Watts and Mike Atkins tell us a great deal about Frank’s exceptional talents. Without the issue ever being raised aloud, we are left with the distinct impression that the intuitive faculty that Frank Black possesses--whatever its origin or purpose might be--is entirely unique, far beyond the talents and training of even his esteemed mentor. The Millennium Group, it is subtly implied, may understand or appreciate Frank Black’s keen perceptive talents better than he does.

Connections: Bob Bletcher recalls the detailed description Frank gave for his gift in “Pilot.” Frank discovers an apt identification for the winged, bestial figure that dominates his visions by consulting a biblical passage, Matthew 25:41: “Then shall he say also unto them on the left hand, ‘Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels.’”

Trances in Total: 7 (0:20)

Gore Score: 8/10

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Millennium Movie Poster Project: Gallery Showcase Day Four

It's Day Four of our review of some of the Millennium Movie Poster Project entries and we've got another three great images to share with you.

First up is this ominous composition in which they are 97 days remaining, hinting at some imminent catastrophic event towards which we are counting down. Lara Means is set to return in the cast in this feature, which has another celebrated writing partnership penning the script - Glen Morgan & James Wong - and is once again directed by Thomas Wright.

Jussi Saarikkomäki

Portraits of four characters feature on this next entry. Lucy Butler co-stars once again, as does a grown-up Jordan Black alongside her father. The legend proclaims the themes that would form the heart of this feature film.

Matthew Ingles

Today's final offering comes with a tantalising title - "A Kiss in the Dark" - and an accompanying tagline, with a visual suggestion that stabbings may feature as a killer's modus operandi. Peter Watts is visible here too, once again proving he survived the events of the TV show's finale!

Jen Frankel

There are plenty more great designs yet to come in our Gallery Showcase, so be sure to check back again tomorrow for further visions of Frank Black's return to the screen!

All works are the property of the respective artist

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Millennium Movie Poster Project: Gallery Showcase Day Three

Welcome back to the Millennium Movie Poster Project Gallery Showcase as we chalk up Day Three with another trilogy of images selected from our competing artists.

Joachim Lipski

First up is a striking illustration making bold use of colour and "welcoming" back Frank Black with a huge devilish visage looming over him.

Following that is another appearance from Lucy Butler, playing on one of the most haunting images from the TV show's entire run. We are promised other returning characters too - Jordan, Emma Hollis and Peter Watts - in a story penned by the winning writing partnership of Chris Carter & Frank Spotnitz and directed by another firm fan favourite (and upcoming podcast interviewee!) Tom Wright.

Terri Wilson

Finally, a finely detailed hand-drawn portrait of Frank and Catherine, reuniting the couple in stark black and white.

Joyce Huang

Once again a big thank you to everyone who entered and for everyone else who helped promote the competition. We'll be back tomorrow with another triumvirate of posters!

All works are the property of the respective artist

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Lucy Butler Week - Day Four - T-SHIRT THURSDAY!


Roll up, roll up! Time to get your infernal claws on a couple of exclusives courtesy of designer and illustrator, Barry Renshaw. Those in the know will already be aware that Barry has created an exclusive range of merchandise for this campaign. Taking subtle nods from some of the finest episodes on the canon, Barry has designed a stunning range of T-Shirts, the profit from which is being saved towards a print ad campaign that we so desperately need.

Despite being unduly busy, Barry has created two designs in support of Lucy Butler Week and I am sure you will agree with me that these are just fantastic (click on the images to open them in a new window and view them in better detail.)

Who can forget the scene in Antipas in which Lucy gives Frank Black the bbenefit of her *ahem* attention in the Little Red Wagon Motel? Fond of that episode? Well now you can wear that pride quite literally. It doesn't stop there, oh no, when you've that many souls to cater for our Legion Tee should appease the fashionistas out there regardless of which personality is at the fore.

As always, everything we do has a serious message: purchasing a tee from our store raises a small amount of money that will allow us to consider options hitherto unavailable to us so please consider making a donation and looking dapper in the process.

Mark x

Please note, our merchandise store is currently being upgraded and our previous designs are unavailable to view at present. Please check back shortly to view the complete range when the upgrade has completed. Thank you.

To listen to love is blue as you peruse our Blog this week use the 'Love Is Blue' cassette links that will feature on every 'Lucy Week' blog post. Just click the link and a new window will open which will play the tune. Oh, and keep looking over your shoulder in the process eh?

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