Showing posts with label Killing. Show all posts
Showing posts with label Killing. Show all posts

THE KILLING, 1.13 - "Orpheus Descending"


I know this show is starting on Channel 4 in the UK soon, so there's a chance people will stumble upon this review online. If so, please turn away now. This is a review of the season 1 finale, so there are consequently gigantic spoilers ahead. Only read on if you've seen this episode, or don't care knowing what happened in the finale.

There were pleasing elements of The Killing's finale, but ultimately it was just a marginally cleverer fake-out like the Bennet Ahmed storyline—only twice as exasperating in many ways. There have been whispers the show wouldn't resolve its mystery in 13 episodes (roughly half the time of the Danish original) and instead continue into a second year, and those fears have proven accurate. I hear the Rosie Larsen case won't take up the entirety of season 2, so hopefully the writers will note the animosity this decision has caused and bring the mystery to a quick, definitive end. In some ways I'm actually glad The Killing's been renewed by AMC, as it would have been far worse if "Orpheus Descending" had been the series finale. Or would they have re-cut the ending to lose its last-minute twist?

I'm not going to rake over every events that happened this week, mainly because my enthusiasm's at a low ebb. Suffice to say, after the events of episode 12, Linden (Mireille Enos) is 100% certain that Councilman Darren Richmond (Billy Campbell) killed Rosie Larsen, having paid for the schoolgirl's services as a Beau Soleil escort under the pseudonym "Orpheus", but the finale was all about having to prove his connection to Rosie's murder—as there's apparently not enough evidence, or it's too circumstantial, to arrest Richmond and interrogate him.

There followed an hour of Linden and Holder (Joel Kinnaman) trying to trace the movements of the killer on the night Rosie was abducted, focusing on the campaign car she was found drowned in and the mathematical calculations to determine the mileage it did that night—before the driver would have needed to refill. This eventually led to them requisitioning various gas station security cameras (where would they be without CCTV, eh?), in the hope one of them captured Richmond driving the campaign car. It makes you wonder why this wasn't a line of investigation from the start! If you find a dead body in a car, surely you trace the movements of that car as your number one priority? Why have they waited until the finale to do something so obvious?

Unfortunately, it's because The Killing wants to be seen as a realistic crime drama, but beyond evocative scenes of a grieving family (kudos to Brent Sexton and Michelle Forbes), the show isn't particularly logical. Suspects come and go according to the whim of the writers, the investigation goes down avenues chosen because they can devour 2-6 hours of screen time, rather than follow what the police would actually do. I understand this is foremost a TV show, so artistic license is necessary to fill time, but it's become infuriating to see how the show manipulates its audience so blatantly. Take how Richmond was portrayed throughout this episode: a creepy-sounding silhouette that screamed KILLER, until the moment the story doesn't want you to think that any more.

Thing is, The Killing could very easily make ANYONE a suspect if the writers set their mind to it. Hell, there's a way to pin the deed on Mitch Larsen and blame it on a mental breakdown! There's no sense that the killer's being hunted down over a fortnight's investigation that's teased an murky mystery apart. It just feels like the show chases down various characters they make look guilty... until such time as they prove their innocence and the game can restart.

Season 1's ending, then. This is where opinion will split, harshly. Having been given a toll-bridge camera shot of Richmond driving the campaign car Rosie was found in, together with all the other evidence collected, Richmond was arrested and Linden finally got on her plane with son Jack to start a new life in sunnier climes. But then came the twist: the toll-bridge cameras weren't operational, so the key evidence was faked by Holder, who's then seen getting into a black sedan and telling an unseen driver "photo worked—he's going down."

So has Holder been working for an enemy of Richmond's all along, paid to ensure the Councilman gets blamed for Rosie's death? That would put Mayor Adams as the most likely sedan driver, although that doesn't automatically mean Adams killed Rosie, because he could just be using events to his advantage. But is Adams the type of person to get revenge? Maybe the driver's a new character? Or millionaire playboy Drexler?

Or, to cut Holder some slack, maybe he was just so convinced Richmond killed Rosie that he falsified evidence to ensure an arrest, knowing he'd walk free otherwise? We'll have to wait until next year to find out—but if the Larsen case isn't going to last another season, as it's been suggested, then I'm not sure there's time to prove Richmond's innocence and find the real culprit within, say, 3 or 4 episodes. Or is there? And how's that going to work, exactly? Will season 2 feel like season 1.5 until the story suddenly lurches into a new case?

Overall, The Killing's finale will be seen as totally infuriating to everyone who expected the mystery to end and a fresh start next year. I'm not against the presence of red herrings and dead-ends in a murder-mystery, but too often this show feels like it's not playing fair with its audience. These aren't clever diversions and fake-outs they're dishing up, they're overly-manipulative stalling techniques. The ending of this episode was actually weirdly enjoyable, as I didn't expect the show to pull the rug in the dying moments (especially with Belko apparently about to shoot the possibly-innocent Richmond)—but given the lack of emotional impact when Richmond was arrested and how the Larsen's were informed off-camera, I maybe should guessed something wasn't right. It would have been the mother of all damp squibs if Richmond was simply jailed and Linden jetted off to California, too.

I have very mixed feelings, but ultimately this finale was too frustrating to be viewed positively. I also didn't like how every character's reaction to being told Richmond was the killer was so subdued, given his participation in the investigation and celebrity status. You wanted some catharsis after 12 weeks of patience, particularly after that unforgivable six-week cul-de-sac with Bennet Ahmed, and we just didn't get it—not even briefly.

In the beginning, the show posed a simple, compelling question: who killed Rosie Larsen? But by the end the question has become: who cares who killed Rosie Larsen?

Asides

  • Love the scene with Stan meeting Amber (Ashley Johnson) at the hospital, unaware she's the girlfriend of Bennet, the man whose life-threatening injuries he caused. A particularly nice angle in how pregnant Amber's on the cusp of delivering new life to the world, whereas Stan's dealing with the loss of life. It's a shame The Killing's skill with small human moments isn't echoed in its strength to tell a serialized story.
  • Why was Richmond soaking wet on the morning Rosie died, according to girlfriend Gwen (Kristen Lehman)? If he didn't have anything to do with Rosie's death, what happened? A particularly strong, brief downpour of rain? Did he fall or get pushed into a swimming pool—maybe the one belonging to financier Drexler?
written by Veena Sud & Nic Pizzolatto / directed by Brad Anderson / 19 June 2011 / AMC

Read more...

THE KILLING, 1.12 - "Beau Soleil"


Did anyone else get the feeling this hour could have been moved forward to, say, episode 5 and worked almost as well? It would have meant a few shortcuts and a surprisingly efficient investigation, but it would have been possible. While I understand the need to flesh out a story and investigate dead-ends and red herrings (that's par for the course in this genre), I think The Killing's made a meal out of it. It would have helped if dead-ends still managed to throw up a vital clue, or if there were parallel lines of inquiry going on, but the writing just seems to dive headfirst into one prime suspect, shake them around for multiple episodes, then drop them and move onto the next suspicious character. Still, at least the last batch of episodes have been more purposeful, and in "Beau Soleil" we finally discovered who killed Rosie Larsen. Or did we...?

Overview:

  • Mayor Adams's (Tom Butler) waterfront development was abandoned after workers found a human skull on the site. The discovery of a Native Indian burial ground put an end to his scheme and, in the process, the basis of his re-election campaign.
  • Linden (Mireille Enos) met with her son's father Greg (Tahmoh Penikett), angry that he's back in their lives.
  • Holder (Joel Kinnaman) briefed Linden that Rosie has been seen on the casino ATM footage depositing large amounts of money over a period of six months into an unknown account.
  • Mitch (Michelle Forbes) overheard a message on her husband's answering machine from mobster Janek Kovarsky and asked Belko if Stan's (Brent Sexton) working for him again. Belko avoided the question and was fired.
  • Adams officially threw in the towel, but out of affection for Gwen (Kristen Lehman)—whom he watched her grow up as a friend of her father's—he gave her an envelope of incriminating evidence on Richmond.
  • Jamie went to Tom Drexler's (Patrick Gilmore) apartment under the orders of Richmond (Billy Campbell), who no longer needs to pander to his financier in person because Adams has dropped out of the election. Jamie noted the young women swimming in a pool above the ceiling, and Drexler identified them as Beau Soleil girls.
  • Stan was visited in jail by his wife, who questioned him over their family's missing savings and gave that as the reason she hasn't posted his bail.
  • Rosie's laptop was re-examined and a police tech discovered a secret redirection page to the Beau Soleil website, which was accessed multiple times around the time Rosie disappeared. Linden recognized one of the girl's profile photos as Rosie's aunt Terry (Jamie Anne Allman). Terry was interviewed and admitted to being an escort for the site, and the owner of the account Rosie was depositing money into. She also recounted a story about a girl called Celine who warned them about a weirdo known as "Orpheus" who took her to the waterfront and discussed drowning—an echo of what happened to Rosie.
  • Linden and Holder visited the storefront that secretly houses Beau Soleil's servers and got access from the webmaster to Orpheus's account—which was closed the night Rosie was killed. However, there's still an active webmail address, and Linden e-mails Orpheus with the message "I KNOW WHAT YOU DID".
  • Holder met with Celine, real name Aleena (Alona Tal), by posing as a Beau Soleil client in a hotel and pressures her to reveal more about Orpheus. Aleena leaves, frightened, but calls back moments later and tells Holder to meet her at the corner of Fifth and Jackson if he wants to know who Orpheus is.
  • Stan was released from jail after Terry posted bail, having learned that her sister wouldn't do so.
  • Linden had the police tech monitor her computer's e-mail as she went to visit Richmond and tell him to distance himself from Drexler—who's their new prime suspect, given his association with Beau Soleil escorts. At Richmond's apartment, Linden heard a computer chiming in another room, and realized it was occurring whenever her e-mail was resent. Investigating a small room containing a computer, Linden discovers a PC with four "I KNOW WHAT YOU DID" e-mails. At that moment, Richmond appears at the door in silhouette, asking what she's doing.
  • Holder arrived at the rendezvous but Aleena isn't there. Instead, he notices the area is plastered with Darren Richmond campaign posters.
  • Gwen opened Mayor Adams's enveloped and found photos of Richmond meeting a variety of women, presumably escorts.

Suspects:

Is this a moot point now? It's Darren Richmond, right? The likeable councilman who wasn't ever much of a suspect because (a) he was a main character and (b) he appeared to have been professionally affected by Rosie's murder in such a way that he was painted as a victim. But the evidence is damning: he owns the computer that's receiving Orpheus' mail, "Orpheus" itself is a character in Greek mythology that lost his wife (as did Richmond), Aleena has pointed the finger at him as the man who scared her talking about drowning, and Gwen's got photographic proof he solicits prostitutes.

Is there any possible way Richmond's not to blame? I can't quite see how he can wriggle off the hook, but maybe he didn't actually kill Rosie in person? Was he in cahoots with fellow Beau Soleil client Drexler—a man who seemingly has a fascination with teenage girls and water? There must be something else yet to be revealed, as we still have a whole episode left to watch. Will the finale focus on Richmond as a fugitive trying to flee the city? Will he somehow prove he's innocent to Linden, or only partly involved in what happened? Or will the finale be an extensive flashback? The latter feels like a great way to end the season, if you ask me...

In summation:

"Beau Soleil" can't be faulted in terms of advancing the plot and delivering a big development, but that's to be expected at this late stage of a whodunnit. I just think it's unfortunate so much of this season has, in retrospect been a total waste of time. I'm again astonished the Danish version was twice the length of AMC's remake, and talked about as the superior show, as it's hard to imagine this story warranting more than a half-dozen episodes. And why introduce Linden's ex-husband in the penultimate episode? I think the writers have severely overestimated how much we care about Linden and her family. In fact, a big problem with The Killing is that none of the characters are actually very compelling in their own right—they're just chess pieces the plot's using to play its game.

The finale airs this Sunday. As I said, I'm hoping for a flashback-heavy hour that reveals Rosie's final days, visualizing Richmond's confession. If he's indeed the culprit. The Killing yanked us around so much with Ahmed that I'm still not 100% certain the councilman killed Rosie. Maybe Jamie used his home computer to log-on as Orpheus, or something? Then again, Linden's first e-mail was definitely read and Jamie's as Drexler's home. Any final thoughts as we march towards the finish-line? The floor's yours...

Aside

  • Just a quick question: the date given here for Rosie's murder was 5 October. So why was her school having a Halloween party almost a month before Halloween on 31 October? Is that common practice in the US, or did they mess up the dates in this episode?
written by Jeremy Doner & Soo Hugh / directed by Keith Gordon / 12 June 2011 / AMC

Read more...

AMC want more of THE KILLING


AMC's remake of Danish murder-mystery drama The Killing has been renewed for a second season, in light of solid ratings (a 2.2 million average) and acclaim—although the critical buzz has softened, and in some cases soured, since the first batch of episodes aired.

It's unknown if season 2 will follow a storyline from the Danish show again, or if showrunner Veena Sud and her writers will instead carve their own path. After the events of the penultimate episode, "Beau Soleil", it seems that fears about the show continuing the Rosie Larsen murder case into another year have proven unfounded, so what will happen? A different murder case set in Seattle seems the obvious way to go, but will the US writers learn some valuable lessons from season 1? If I had to change one thing, it would be ditching the "one episode equals one day of the investigation" format, which has severely limited the storytelling.

Are you happy to see The Killing get another season (unlike Rubicon last year), or has this remake been nothing but a big disappointment to you? Popular opinion is that it started off brilliantly, but made a fatal mistake in following a dead-end for half its season. Do you agree? Maybe The Killing should be allowed a second chance, but this time with the creative freedom of a story that takes advantage of its particular strengths in front and behind the camera?

Read more...

THE KILLING, 1.11 - "Missing"


I'm going to abandon my usual review format this week, echoing what The Killing itself decided to do with the antepenultimate episode "Missing". This was a very strange episode considering what's come before and how the show has fed its audience their weekly dosage, but I'm in two-minds about it. Taken as part of the season as a whole, it was nothing but a ridiculous detour featuring only two of the regular characters—Linden (Mireille Enos) and Holder (Joel Kinnaman) —in a character-led storyline that had almost nothing to do with the show's usual concerns. For that reason, it felt slightly redundant and pointless, and could easily be skipped without damaging too much of the show's larger storyline. However, taken as a singular episode, it was actually The Killing's best episode in many weeks, and certainly a very belated way to make us care more about the two lead investigators we've been following around for over two months already...

Linden found the Wapi Eagle Casino she believed Rosie Larsen visited on the night she went missing, but found herself stonewalled by the casino manager Nicole Jackson (Claudia Ferri), who wasn't too happy about Linden's intention to interview her customers. And unfortunately for Linden, the casino being built on Indian territory meant only a federal warrant (that would take a week to come through) could force the casino to open its door to the Seattle P.D. However, Linden instead decided to get a warrant on the casino's many ATM machines, which are owned by the banks, and may have recorded Rosie using one to confirm her movements.

But while Linden and Holder waited for the ATM warrant to come through, which may take a day, a distraction was provided in the sudden disappearance of her own son Jack (Liam James). From there, the whole episode dropped the Rosie Larsen mystery and instead focused on Linden and Holder using their free time to search for Jack. And, along the way, they got to know each other a little better, too. In particular, we learned that Linden was abandoned by her mother at the age of five and grew up as a foster kid (passed around to various families growing up), how "mother figure" Regi is actually her probation worker, and that the case that obsessed Linden involved a boy who was taken into child protection when his father killed his mother and never got out of the system. We also learned that Holder has a sister called Liz, but isn't so dependable as an uncle, and heard more about his past addiction to crystal meth.

The frustrating thing about this episode is that, to be perfectly honest, this was the kind of character-building hour we needed much earlier in the season. I can see how difficult it is to find time away from the murder case (especially given The Killing's episode-to-day format and serialized focus), but perhaps that goes to show that the format itself is flawed. I'm glad we got some firm insights into Linden and Holder, and the episode was entertaining in its own right, but it was unfortunately reliant on the audience caring about Jack and Linden's relationship with her son. Unfortunately, we don't really. The previous 10 episodes haven't done a very good job developing Linden from the character she was introduced as in the pilot, with only a few moments scattered around that existed to shed light on certain family areas.

Overall, "Missing" was both irritating (so close to the end and we're given a character-building, mostly extraneous diversion?) and very enjoyable (the show actually found room to breathe and develop the two central character who have previously just been plot-devices to keep the mystery rolling along). I enjoyed it, but I wish this had been episode 4.

Aside

  • The ATM machine footage amused me, as we'd previously discussed how US cop shows don't rely as much on CCTV as their British equivalents—so more often investigations use nosey neighbours and ATM cameras. And now this episode proves it!
written by Veena Sud / directed by Nicole Kassell / 5 June 2011 / AMC

Read more...

THE KILLING, 1.10 – "I'll Let You Know When I Get There"


I think I'd have liked "I'll Let You Know When I Get There" if it had come earlier in the season, but considering the fact it's essentially an alternate-episode 4 (now the Bennet Ahmed dead-end has come to an end after a ridiculous half-season spent on it), I can't shake my frustrations with The Killing's narrative structure. It's also becoming more noticeable just how much DNA this show shares with Twin Peaks. The surface level similarities were obvious (small town in Washington state, dead teenager, ominous musical score), but this episode even ended with Linden (Mireille Enos) discovering the existence of a casino that immediately reminded me of One Eyed Jack's from Twin Peaks. Maybe it's just another coincidence, but I can't shake the feeling that this show is in many ways a remake of Twin Peaks--minus the overt strangeness.

Overview:

  • Bennet's (Brandon Jay McLaren) beaten body was discovered and taken to hospital, where he's touch and go. Stan (Brent Sexton), realizing his mistake when he returned home to see wife Mitch (Michelle Forbes), turned himself into the police and was jailed.
  • Linden and Holder turn their attention away from Bennet now he's been proven innocent, with Linden making a special effort to see Richmond (Billy Campbell) and tell him personally that Bennet's been exonerated.
  • Richmond's political campaign received a much-needed jolt, as they can now promote the fact Richmond stuck to his guns and refused to believe an innocent man was guilty until proven so. A press conference was called, with Richmond denouncing the vigilante justice meted out to Bennet and resolving to reinstate the All-Star program that Mayor Adams shutdown. Later, Richmond made plans to reduce budgets in the City Council.
  • Linden returned to Regi's (Annie Corley) houseboat and heard that her son Jack (Liam James) has been misbehaving with friends, putting Regi in an awkward position. Angry and disappointed, Linden moves out of Regi's boat with Jack and into a motel.
  • Stan is interviewed in jail by Linden, who is now pursuing the theory his mobster past was somehow involved in Rosie's murder. Stan denies the possibility.
  • Holder goes to see Stan's best friend, Belko (Brendan Sexton III), who was also involved with the Kovarsky mobsters. Belko denies all knowledge of Stan's actions in attacking Bennet
  • Linden was called by a cab driver who has video-evidence of Rosie travelling from the Bennet house just after 10pm on the night she disappeared. Linden and Holder reviewed the cab's tape and saw Rosie arrive home at 10.37pm, before noticing a light in her assumedly empty house was turned off as she arrived—meaning someone was in the house when she came home.
  • Mitch's sister Terry (Jamie Anne Allman) revealed that Belko has keys to the Larsen home, so he became the new prime suspect. Linden and Holder investigated Belko's alibi that he was home with his mother by going to meet with her at his apartment. Inside they discover numerous photos of Rosie taped to Belko's bedroom ceiling and notice that Belko's mother dresses provocatively for someone of her age.
  • Belko is taken in for questioning and eventually admits that he helped Stan beat-up Bennet, and that he in the Larsen house when Rosie came home, but only hid because he was breaking Mitch's house rules by being upstairs. Belko doesn't confess to killing her, but instead reveals he heard her talking on the phone to someone, saying "Adela, I'll be there", before leaving again.
  • A City Hall intern found a video-clip of Richmond shaking hands with Rosie during his campaign, which Jamie (Eric Ladin) decides to bury in case it's used to link Richmond to her murder again in the eyes of the electorate.
  • Mitch received a phone call at the family business telling her a cheque has bounced and there's no money in their savings account to cover it.
  • The next morning, Linden is out jogging when she noticed a ferry called "ADELA", which has a departure time of 11.45pm which fits with the last movements of Rosie. She boards the ferry and soon notices a sign for the Wapi Eagle Casino with a logo that matches the key chain they found on Rosie's body.

Suspects:

  • I was getting worried we were going to spend another few episodes investigating Belko, before dropping him as a suspect, so I was glad they quickly moved past him. Mind you, it struck me as odd they just accepted his story. The guy's clearly got a fixation on Rosie, a childish bedroom (check out the wallpaper), and weird connection with the Larsen's. If this was a real investigation, I'm not convinced they'd have ditched Belko so quickly and moved into finding "Adela."
  • The Kovarsky mob were mentioned quite a few times, so it's still very possible they're involved here somehow. Was Rosie involved with the mob somehow? Did she learn something about them that meant she had to be killed? Do the gangsters run the Wapi Eagle Casino?

Summation:

This was a good episode, reminding me of what I was enjoying about The Killing when it first started. It had some actual movement and momentum to it, and it was just a relief to move on from the interminable Bennet storyline—finally! I'm not particularly moved by Stan's imprisonment, mainly because that character hasn't been very sympathetic for a very long time. And it still really confused me that so many major clues are arriving very late in the game. Why has the cab driver waited over a week

It's also slightly annoying that the avenues of investigation here (Belko, Kovarsky) are suspects the viewers at home were allowed to consider weeks ago, meaning Linden and Holder feel like they're playing catchup with the viewers at home. They should be the ones leading us through this story, but I actually feel more informed than Linden--probably because I am, given how the TV show can let us see people and things she can't. I think there's a way to tell this story much better, basically—but I'm pleased we're close to the finish, as I can't deny being very excited to discover who killed Rosie. If we are going to be told this season, of course...

written by Dawn Prestwich & Nicole Yorkin / directed by Ed Bianchi / 29 May 2011 / AMC

Read more...

THE KILLING, 1.9 - "Undertow"


In "Undertow" there was a major development in the murder case, but it wound up setting the investigation back by several days/episodes. That's even more frustrating when you realize the removal of Bennet Ahmed's subplot means The Killing could probably have been told in a tighter six hours. Beyond that, my usual complaints and praise largely apply, regarding performances and , but it's fascinating watching The Killing slowly throttle itself...

Overview:

  • A translator interpreted Bennet's wiretapped phone call to Muhammed, confirming he knows about the meat market room and how it was used as a holding pen for a young girl. Unfortunately, Holder (Joel Kinnaman) couldn't get an arrest warrant signed by his old friend Judge Elliot (Jay Brazeau), owing to the way the wiretap is a gross misuse of the Patriot Act's anti-terrorism provisions.
  • Mayor Adams (Tom Butler) responded to allegations he's the father of his pregnant intern's unborn child by holding a televised press conference and claiming it's all a smear campaign from Richmond's (Billy Campbell) camp. He even offered proof by revealing he's had a vasectomy, but is actually planning to have his medical records falsified and payments to his intern doubled to keep her quiet.
  • Mitch (Michelle Forbes) was assured by Linden (Mireille Enos) that the investigation will be over within the day, but after Bennet's arrest warrant is denied the school teacher goes back to school and faced walkouts from his class (who also wrote 'KILLER' on his whiteboard.) When Mitch saw Bennet was still walking free, she broke down and chastised her husband Stan (Brent Sexton) for letting the man who killed their daughter go.
  • Richmond was put in an awkward position, having to pretend he didn't leak news of Adams' pregnant intern, while Jamie resolved to prove Adams is lying about his innocence. All dirty tactics were called off by Richmond after hearing the Green Street Mosque has been defaced.
  • Bennet's wife Amber (Ashley Johnson) was still suspicious of her husband and wrote down Muhammed's phone number from Bennet's cell phone, passing the information to Linden and Holder. The phone's number was traced to a Muhammed Hamid (Jarod Joseph), with the GPS pinpointing him to a Seattle marketplace. Linden and Holder arrived on the scene, calling Muhammed's phone to see which of the stallholders responded, and eventually found their prime suspect--who decided to run when he realizes he's been identified, but was apprehended.
  • Gwen (Kristen Lehman) tried to convince Richmond to open up to the people about his wife Lilly's death, as it's a tragic story that comes from the heart and could be their last chance to turn the tide of public opinion now Adams looks like a victim. Richmond declined, but went to see multi-millionaire Drexler (Patrick Gilmore) to ask for more money. Drexler gave Richmond a basketball challenge: sink a basket in one free shot and receive $5m to rebuild the Somali community, or miss and resign from the mayoral election race. Richmond accepted the challenge and won.
  • Muhammed was interrogated by Holder and Linden over the abduction of Rosie Larsen, but it soon becomes clear they have their wires crossed: Muhammed and Bennet were actually involved with protecting a young girl called Aisha (Odessa Rojen Miriam) from female circumcision--a controversial tradition in their culture--and have been trying to smuggle her across the border to safety. Bennet and Muhammed are innocent.
  • An outraged Stan, feeling emasculated by his wife's comments, kidnapped Bennet with help from Belko and savagely beat him up on the outskirts of town. Simultaneously, Mitch found Rosie's "GRAND CANYON" T-shirt in the laundry, proving the one found at the meat market wasn't her daughter's.

Suspects:

  • You can mark a line through Bennet and Muhammed's names after this episode. They're both in the clear--although I hope they explain the sighting of a small woman helping Bennet and Muhammed smuggle Aisha away. Who was that?
  • Are there any more suspects to consider? We're back to square one after this episode--so my mind's wandering back to characters who felt significant before Bennet's story became a focus. Those being Rosie's best friend, her ex-boyfriend, and the mobsters her father used to work for. I'm also still suspicious of Stan's buddy Belko, frankly--but I'm suspicious of everyone because the story could throw a spotlight on any random character and somehow make them the murderer, let's face it.

Summation:

"Undertow" was a frustrating episode. I know this partly its intention (so audiences felt just as exasperated as Linden when the Bennet/Muhammed line of investigation became largely insignificant), but I question the need to have spent the majority of six episodes investigating a dead-end. I can only hope Aisha knows something about Rosie that could help Linden and Holder crack the case.

It's also becoming more noticeable that The Killing's ignoring the one thing that traditionally fuels whodunnits: motive. Why would anyone want to kill sweet Rosie Larsen? That obvious question has hardly been asked since the two-part premiere, and the show's mostly dropped the idea of investigating Rosie's background and getting inside her head. A particular shame because Linden was at her most fascinating when she was observing minutiae and making deductions from bedroom evidence and old videos.

"Super 8" was probably the last episode where Rosie felt like a tangible part of the story, even in death, before everything shifted and The Killing started spending an inordinate amount of time prying into Bennet's life. Isn't the one thing people love about murder-mysteries the way characters each have possible motives for killing the victim? Hopefully The Killing will get back to that for the remaining batch of episodes, perhaps returning to Rosie's circle of friends for some answers. But even if it does, so much time has been wasted mid-season. And will the Richmond/Adams story reveal a tangible connection to the murder, or is that as disconnected from events as it's now come to feel?

I appreciate what The Killing's aspiring to be, I really do, but it's a handsome production that's giving us too many reasons why this protracted method of procedural storytelling isn't the norm. It's too reliant on formula to pull it through each episode, and has just undone a huge swathe of the ongoing storyline. Real police investigations undoubtedly encounter issues like a prime suspect being vindicated, but perhaps the slow pace of The Killing is what made it sting as a viewer. All that invested time rendered largely pointless? Wow. Credit to the writers for managing to logically explain Bennet's suspicious behaviour while keeping him innocent, but it's shame we don't appear to have learned anything from this storyline that'll be useful in finding Rosie's killer. And the coincidence that both Rosie and Aisha visited the Ahmed residence on the same night of their abductions is hard to swallow.

Has The Killing lost its patient audience thanks to a misguided storytelling tactic, or can it be rescued as the show approaches the finish-line? And knowing that AMC have renewed their remake for season 2 (owing to the early critical buzz and good ratings), is that going to look like a poor judgment of The Killing ends its inaugural run in the midst of an audience backlash?

written by Dan Nowak / directed by Agnieska Holland / 22 May 2011 / AMC

Read more...

'THE KILLING' 1.8 - "Stonewalled"


The finale's a dot on the horizon, so I was very pleased with "Stonewalled", which was a more satisfying hour of The Killing than we've had in weeks. The investigation was beginning to turn stale but this refreshed things with the FBI's introduction and unforeseen terrorism angle. Meanwhile, characters like Richmond (Billy Campbell) and Linden (Mireille Enos) finally started to look passionate about their situations as the gloves came off. Linden's demeanor is still too glacial for my taste, but "Stonewalled" definitely forced Enos to show different facets to her introverted sleuth.

Overview:

  • Linden and Holder (Joel Kinnaman) found themselves caught in the middle of a counter-terrorism operation with the FBI, after breaking into the meat market's locked room. Both were hauled away when their identities were confirmed, but only after Linden noticed a makeshift sleeping area containing a pink top marked "Grand Canyon". Despite the need to investigate further, as this could be the place Rosie Larsen was kept for a few days before being killed, Linden's boss Oakes (Garry Chalk) bowed to federal authority.
  • On Regi's houseboat, Linden was e-mailed case files of the Larsen case, which were later found and distributed by her son Jack (Liam James), our of anger for his mother's apparent reluctance to leave Seattle for California. Unfortunately, the graphic crime scene photos found their way to the media and a TV news report aired that disturbed Mitch Larsen (Michelle Forbes.)
  • Mitch showed signs of mental stress, after she volunteered to help Stan (Brent Sexton) by taking their sons to school, only to become distracted and accidentally leave them alone inside a car parked in their garage that's filling with exhaust fumes. Fortunately, her sister Terry arrived and prevented another tragedy, before warning Stan that his wife's behaviour is becoming erratic.
  • Richmond decided to fight Mayor Adams over the closure of the All-Star programme, with Jamie suggesting they hire a P.I to dig up dirt on their rival. Richmond agreed, but refused to condone personal attacks. However, after Jamie went to see millionaire supporter Tom Drexler (Patrick Gilmore) at a MMA cage-fight, he was given damaging personal information to use against Adams.
  • Linden became suspicious of Holder after noticing him passing an envelope to a man in a car, so followed him to a rundown part of town--only to realize he's attending a Narcotic's Anonymous and the mysterious man is just his sponsor, Gil.
  • Bennet Ahmed (Brandon Jay McLaren) was suspended from school by Principal Meyers (Kerry Sandomirsky) who doesn't think it's in the school's best interest if he comes to work.
  • The cagey FBI confirmed that their terrorist suspect, "Muhammad H", has been making multiple border crossings. They also found maps and fake passports at the meat market hideout, but aren't keen to open the investigation up to the Seattle P.D.
  • Linden managed to take a photo of the pink top the FBI have taken into evidence, and later confirmed with Mitch that it belonged to Rosie--thus proving she was taken to the meat market by her kidnapper.
  • Richmond attended the parole hearing of Debbie Cantwell, the woman who killed his wife Lily. Debbie begged to be forgiven. Richmond vented his frustrations by punching a mirror in the men's toilet, then rang Gwen to give her permission to use Drexler's dirt on Adams. A story about Adams paying rent for his pregnant 19-year-old intern Janelle Stevens (Leanna Lapp) hit the airwaves soon after.
  • Mitch discovered that Stan has cleared out Rosie's room, claiming they need to "focus on the future". They argued, blaming each other for Rosie's grisly fate (Stan let their daughter stay home on the weekend she was taken, Mitch was so strict that Rosie hid things from them.)
  • Holder revealed to Linden that he's placed a wire-tap on Bennet's phone, moments before Bennet made an anxious call to Muhammad (mostly in Somali, but including the English words "the passports will be arriving tomorrow, then this will all be over")--overheard by pregnant wife Amber (Ashley Johnson.)

Suspects:

  • "Muhammad H" is definitely the new prime suspect at this point. We already know he invited Rosie into the Ahmed residence on the Friday she disappeared, but now it's almost certain she spent a few days in the meat market the FBI are focused on as a terrorist lair. This new terrorism angle is interesting, though. Is it a separate issue with coincidental overlap with the murder case, or was Rosie in the process of being radicalized by Muhammad and Bennet? If so, did she have second thoughts which resulted in her having to be killed in case she told the authorities? And what's with Muhammad's border crossings? Do you think that's terrorism related, or is the issue perhaps about child trafficking?
  • Bennet Ahmed. It's less likely he was directly responsible for killing Rosie, but is he involved with terrorism? Or is his friend Muhammad just someone he's trying to protect? If so, why? And what isn't he telling the police? Does he know Rosie was kept in the meat market over that weekend?
  • Still no sign of the mysterious woman seen loading a body into a black car with, assumedly, Muhammad, from the Ahmed residence. Is she known by Bennet?
  • I'm going to throw Tom Drexler's name into the ting. C'mon, a playboy multi-millionaire who has everyone dancing to his tune, with a surname of Drexler? That's a villain right there. Why show him enjoying a brutal cage-fight in this episode? Mind you, I can't think of a motive yet--especially as he's helping Richmond become mayor and Rosie was killed inside a Richmond campaign car. Am I barking up the wrong tree here? Is Drexler simply a character who exists to push the story forward because he has money and influence?

Summation:

"Stonewalled" was a very good episode because the plots thickened nicely, and it was great to see Linden resolve her suspicions of Holder and finally appear determined to solve this case. By introducing the FBI, it gives Linden and Holder a new obstacle to overcome, which only adds to the investigative drama itself. I'm a little worried about the terrorism angle, however, because preying on that fear is a common and obvious direction to take with Muslim characters. I'm also more interested to see the direction Richmond goes in now, as this was the first time he sacrificed his principles to win a battle in the mayoral election. Is the political boy scout on a downward slope now, becoming no better than the man wants to replace, or was that an unfortunate blip because he was looking for a way to vent his anger over his wife's killer's parole? Speaking of whom, I wasn't expecting that character to be so disarming and, frankly, someone who seems to deserve forgiveness!

This was an episode that replenished my enthusiasm for The Killing, to some extent. If nothing else, we're so close to the finish I can't deny I'm really keen to find out who killed Rosie Larsen. I only hope the case does reach a conclusion in season 1, without asking audiences to come back next year for a second half. I have a suspicion that may be too much to ask for most people who are only just hanging in because of the deliberate pace.

Asides:

  • How long have the FBI known about the meat market? And who gave Linden the anonymous note with the meat market's address? That person surely knows there's a link between the building's use as a terrorist den and Rosie's murder. Do you think the note-giver is the woman who was seen helping move Rosie's body, and is now suffering a crisis of conscience?
  • Without giving anything away, did a terrorism angle play a part in the Danish original? Was the equivalent character for Bennet Ahmed a Muslim? Or is all this the invention of the US remake, to play on post-9/11 fears?
  • I quite liked the scene where Holder recounts to the N.A group his story of using his nephew's prized gold coin to sell for drug money, but it was also very clichéd. The fact Holder's subsidiary mystery has been removed in a rather low-key way was also a slight disappointment. That said, hopefully it means Linden and Holder's tension will relax and they'll become a more compelling duo.
  • I think it's worth remembering that Rosie was kidnapped, kept alive for a few days, then murdered by locking her in a car to drown. That's a particularly cruel way to kill someone, when there are much easier alternatives. Doesn't that suggest someone who has a deep hatred of young girls? Or someone who wanted to send a message to Richmond, whose stolen campaign car was used?
  • The serial killer theory hasn't amounted to much since it was suggested, but I'm surprised Linden hasn't linked anything to a similar case from the city's past. Someone who kidnaps young girls, possibly a Muslim, and likes to drown them alive--worth a database search?
  • Rosie's butterfly collage was seen again, rebuilt by Mitch on her daughter's wall. I'd forgotten about the butterfly connection (they also featured in Rosie's super 8 student video, remember?) Does anyone else suspect a key part of the mystery is contained in that collage?
written by Dan Nowak / directed by Agnieska Holland / 15 May 2011 / AMC

Read more...

'THE KILLING' 1.7 - "Vengeance"


We enter the second half of The Killing with an episode that fell back on the old formula (wrap-up last week's cliffhanger in 10-minutes, provide half-an-hour of leisurely developments, then end with a provocative 3-minute climax.) I’d hoped for better, but it's become clear The Killing isn't the thrilling shake-up of the police procedural it promised to be. One key problem has been how the show's failed to make murdered schoolgirl Rosie Larsen feel like anything more than a name. It's undeniably tough, considering she's dead, but I'm disappointed that other characters' testimonials or some home-video footage hasn't been used to make us care that Rosie's life has been taken.

Overview:

  • Stan (Brent Sexton) scared teacher Bennet Ahmed (Brandon Jay McLaren), the prime suspect of his daughter's murder, by driving him to a deserted dock and staring him out in the pouring rain. After the frightened Bennet pleaded that he "didn't hurt Rosie", Stan coolly drove home.
  • Linden (Mireille Enos) asked Bennet's pregnant wife Amber (Ashley Johnson) about her husband's disappearance with Stan, then questioned the discrepancies in her story about the night Rosie went missing. Amber admitted that she's jealous of Bennet hanging around schoolgirls with their "perfect bodies", reveals that the book Rosie returned to their house was a copy of the Koran, and that she was most likely let in at 11pm by Bennet's study mate Muhammad.
  • The Koran Rosie returned is stamped with the address of "Green Lake Mosque", so Linden and Holder (Joel Kinnaman) went there to enquire about this "Muhammad" with the Iman Gelabi (Peter Bryant.) Unfortunately, Muhammad's an extremely common Muslim name so their clue isn't much use. However, a woman slipped a note into Linden's shoe with the address "106 R - Renton Ave S." written on it...
  • Richmond (Billy Campbell) is still refusing to distance himself from Bennet, despite the concerns of his campaigners Jamie and Gwen.
  • Gwen found an empty envelope addressed to Richmond, posted from "Bainbridge Correctional Facility for Women." Later, Richmond visited Maryanne Thompson (Merrilyn Gann), mother of his dead wife Lily, to discuss the imminent probation hearing for the drunk driver who killed her. I'm really not sure what the relevance of this emerging subplot is. I hope there is one.
  • Linden missed her flight out of Seattle with son Jack. At her houseboat, Regi (Annie Corley) reminded Linden that she nearly lost custody of Jack because of her obsession with another case. Is history repeating itself? Incidentally, was anyone else confused by the sudden desire of Linden to get out of town, leaving the Larsen case unsolved? It felt very cold to me. We're so far into the series and Linden still doesn't seem to truly care about finding Rosie's killer -- and if she's the audience's instrument of justice, that's a weird choice. I keep hearing that Linden's Danish counterpart (Sarah Lunden) was a far more indomitable character, so why has the remake decided to make Linden so ambivalent? I WANT Linden to become obsessed with this case, so I can too.
  • Mitch's (Michelle Forbes) parents came to stay, bossy mother Helen Marek (Tasha Simms) and Tad (Tim Henry.) Stan later took their two sons to the park, where they asked about how their sister died and were given a satisfying answer.
  • Oakes quashed the warrant to search Bennet's house, believing the witness who saw Rosie there isn't trustworthy enough.
  • Richmond learned that Mayor Adams (Tom Butler) has called an emergency City Council session to freeze funds for the Seattle All-Stars program. Jamie implores Richmond to demand Bennet's resignation to save the program, but after giving a passionate speech to the council, Richmond watched as the council voted to end the All-Stars funding. I suspect Richmond's going to end up winning the mayoral race when Bennet helps the cops catch the killer, and the electorate start to see him as a fantastic judge of character.
  • Linden and Holder found the note's address, "106 Renton Avenue", which turned out to be an abandoned meat market. They entered door "106R", but seconds later were knocked to the floor and handcuffed by an FBI SWAT team storming into the building behind them.
Suspects:

  • The mysterious Muhammad rockets to the top of the suspects list, if he indeed let Rosie into the house at 11pm. Did he knock her unconscious, then force Bennet to help him dispose of her, with the small woman also seen leaving the house? Is the woman the person who slipped that note to Linden? What does the abandoned meat market have to do with Rosie's abduction and murder?
  • The mob keep getting mentioned, particularly now the cops are aware of Stan's past and are beginning to hypothesize as we were weeks ago.
  • I'd be very surprised if Bennet killed Rosie now, but the show has spent so long with his character I'm convinced he must be involved in some way. As I mentioned, did he dispose of the body? Does he know who killed Rosie but can't say for some reason? Or is he a total dead-end?
  • Knowing the tricks of the murder-mystery genre, the killer is most likely a character who's still very peripheral to events, or was introduced weeks ago and we haven't heard much about them since? Any suggestions?
Summation:

Once again, "Vengeance" was an episode of individually great moments, floating around in the plot. The climax had me hoping The Killing's about to receive an overdue jolt (why are the FBI involved?) but I'm also bracing myself for a quick and wearisome resolution next week. Still, those great moments: I love how Stan admitted to Mitch that Rosie was essentially his moral anchor in life, helping him turn his back on his mobster days, and there was a good scene with the Larsen boys watching a news report on their sister's murder on TV. The show tends to have some really memorable characters beats.

It's just become a little protracted, hasn't it? I remain incredibly curious about the Danish version, though, which I keep being told is a comparative rollercoaster and twice the length. A part of me doesn't believe AMC would buy this format and insist on a more ponderous version. Are the original's fans exaggerating things? But I think we can agree AMC's version should be flying along now we're in the final half, but instead it's becoming annoyingly inert.

written by Linda Burstyn / directed by Ed Bianchi / 8 May 2011 / AMC

Read more...

'THE KILLING' 1.6 – "What You Have Left"


The halfway point of the season predictably involved Rosie Larsen's funeral, although it wasn't given as much attention as you'd have expected. In fact, the political subplot received more screentime, as harangued Councilman Richmond (Billy Campbell) decided to stick to his principles and refuse to distance himself from his latest campaign commercial, in which he's seen embracing teacher Bennet Ahmed (Brandon Jay McLaren) the prime suspect of Rosie's murder.

I still can't shake a feeling The Killing's a fantastic production, blessed with some good performances, but one that hasn't managed to maintain the pilot's extraordinary impact. Everything since episode 4 has been less urgent than I'd have liked after an excellent start and intriguing direction. Events are unfolding quite nicely, but at such a sluggish pace I think I'd have preferred The Killing to have been a six-part miniseries. Having never seen the Danish original, my mind's boggling at how the original managed to keep this story going for 20 hours, apparently with greater velocity.

Overview:

  • An obsessed Linden (Mireille Enos) pulled an all-nighter at work, looking for links between Rosie's murder and cold cases involving missing girls, believing a serial killer may be the culprit. She then canvassed the neighbourhood for witnesses with Holder (Joel Kinnaman), eventually finding a woman who saw a girl (identified as Rosie) arrive at Ahmed's house at 10pm on the Friday she vanished. It makes you wonder why such witnesses haven't come forward themselves, if this murder is such a big deal in Seattle. If you'd seen a murder victim on the night they died, wouldn't you have come forward before the sixth day of a high-profile investigation?
  • Ahmed was confronted over the fact Rosie was seen going to his house on Friday, admitted she came round to drop off a school book, but denied Holder and Linden access to his home for a search without a warrant. However, Linden later got video-tape evidence that Ahmed was at the school Halloween party until 11:20pm, so couldn't have let Rosie into his home at 10pm. But to confuse matters further, Linden also spoke to a nosy neighbour with a telescope who saw Ahmed taking a girl wrapped in a blanket out of his home at 12:03am, helped by a "smallish-type" woman to load her into a black car.
  • Gwen (Kristen Lehman) pulled the TV advert with Richmond embracing Mr Ahmed, with Jamie insisting he distance himself from Rosie's teacher of be forever associated with "dead girl in a trunk" by the city's electorate.
  • Holder received word from a mysterious man (the same one who handed him an envelope last week) that Stan Larsen (Brent Sexton) was once involved with Janek Kovarsky's mob and had a serious gambling problem.
  • Amber Ahmed's sister Grace was interviewed, claiming there are religious differences between Grace and Ahmed, and revealing that Amber (Ashley Johnson) arrived at her house upset over her husband's "secrets" at 1am on the night of the Halloween dance.
  • Senator Eaton (Alan Dale), Gwen's father and an influential political ally, arrived to scold Richmond over his handling of the situation with Ahmed and the TV adverts, but Richmond is convinced it's the right thing to stand up for a man's innocence until he's proven guilty. In a live TV debate with Mayor Adams (Tom Butler), Richmond wandered into a trap by talking about his Seattle All-Stars program to help city kids, allowing Adams to tackle the subject of All-Star coach Ahmed and his association with the Larsen murder case.
  • Rosie's body was prepared for the funeral (lovely moment when her missing fingernails were replaced by fakes, restoring her appearance to that of a sleeping beauty.) The service was held in private and went without a hitch, although at the wake Stan learned from his friend Belko that Bennet Ahmed is the prime suspect. Craving revenge, or an outlet for his frustration and anger, Stan offered to drive Ahmed home, with other things on his mind...
Suspects:

  • Who let Rosie into the Ahmed's house at 10pm, if Ahmed was at the dance till just after 11pm? It must be his pregnant wife Amber. Is she more involved with this than we've been led to believe? Or was someone else there? Did Ahmed return home to find his wife had injured Rosie, and helped get rid of her with a diminutive friend's help? What has his wife got against Rosie? Was she perhaps jealous of the attention her husband's giving her? Why did Amber leave the house an hour later to be comforted by her sister, complaining about her husband's secrets? What secrets? Is Ahmed involved with Kovarsky's mob?
  • Who is this "smallish-type" person, likely a woman, who was seen helping Ahmed load someone into a black car? If Rosie was indeed taken away in that vehicle, was she later transferred into a Richmond campaign car? We know Rosie wasn't dead while inside the trunk, so what had happened to her in the Ahmed house? Was she knocked unconscious? If so, was it an accident that looks suspicious or intentionally? Why doesn't Seattle have CCTV to trace the movements of the two cars that are so integral to the mystery?
  • Stan's best friend Belko. Did he kill Rosie? There was an interesting scene at the wake, when Terry snarled at him "you do realize you're not part of this family, right?" Is Belko aggrieved with the Larsen's treatment of him and perhaps wanted to hurt them by killing Rosie? Was he acting on behalf of old mob boss Kovarsky? Is his guilt the reason he's keen to get Stan focused elsewhere, like Ahmed ?
  • The mob. There's still the chance Rosie was killed as punishment for something Stan did, or failed to do -- either years ago, or more recently. It just feels too weird to have introduced those mobsters if they're not going to lead anywhere. Then again, introducing dead ends is part and parcel of shows like this. I just hope the explanation for who killed Rosie Larsen isn't disappointingly simplistic.
Summation:

"What You Have Left" was slightly better than last week's low point, but I'm still waiting for a moment that transforms The Killing from a stylish and intelligent cop drama into a knockout piece of entertainment. The characters, while nicely drawn and well-acted, aren't eliciting much passion from me, as my patience begins to run out with a few. Even my natural sympathy for the Larsen's is beginning to run dry. Linden in particular needs to step up a gear as the lead actress, rather than remain so detached. The political subplot is, in some ways, becoming more interesting than the murder investigation, as you at least get the feeling every episode is an important moment in its development. I still suspect the Ahmed situation is a red herring; he didn't kill Rosie, but has a private situation enmeshed with that tragedy he'd rather keep secret, even if he's risking being blamed for murder. Does he perhaps have a bizarre religious view he was trying to impose on the impressionable Rosie? Thoughts, theories?

Asides:

  • There was a moment when Regi (Annie Corley), Linden's "foster mother", for want of a better word, alluded to Linden getting obsessed with a previous case that risked losing her son Jack (Liam James.) What's haunting Linden? Is Rosie's murder similar to a case from her past, involving one of the missing girls she's researching? I'd be surprised if it's not. Could it be possible her son Jack was kidnapped as a youngster, only to be found but his abductor never caught?
  • It's becoming a cliché in cop shows that there are always nosy neighbours around to help detectives -- often recluses with telescopes/binoculars or an obsession with note-taking. I suppose it's more fun that relying on dry CCTV footage for little breakthroughs, but I still can't help groaning when there's a dependable recluse on hand. It always feels like a lazy cheat.
written by Nic Pizzolatto / directed by Agnieszka Holland / 1 May 2011 / AMC

Read more...

'THE KILLING' 1.5 – "Super 8"


This fifth episode avoided the emerging formula of proving the innocence of last week's prime suspect in Act I, but otherwise it was business as usual. The Killing continues to have an immersive, sodden atmosphere that's strangely alluring, but it's about time the characters started to become the main reason to stick around. And while I like Mireille Enos' measured performance more than most, it would be helpful if the writers started to give her character more dynamism. Dropping vague references about a past case Linden was involved with, that assumedly echoes this current one, isn't enough..

I want to feel swept up in the investigation and eager for Linden to find Rosie's killer, but right now the drama remains on a low simmer. This was fine to set the scene and draw us into this dingy world, but it's about time the story and characters started to grab you by the throat. I've heard amazing things about the Danish version's pace and compelling lead investigator, so it's a shame if the US remake's not measuring up to that -- especially as it's assumedly telling the same 20-episode story in half the time. If the plot's being condensed that much, shouldn't the story be rocketing along as we approach the halfway mark?

Overview:

  • Cracks appeared in the behaviour of the Larsen kids; Denny (Seth Isaac Johnson) left the house unaccompanied to buy milk to eat his sister Rosie's favourite cereal "Bits N' Pieces" (an apt allusion to the clue gathering), and Tom (Evan Bird) has started wetting the bed.
  • Holder (Joel Kinnaman) and Linden (Enos) interviewed teacher Bennet Ahmed (Brandon Jay McLaren), who claimed his letters to Rosie were just innocent correspondence ("intellectual discourse"), but couldn't corroborate his alibi that he returned home on Halloween because his wife (a former student of his) was away while he refurbished their house.
  • Richmond (Billy Campbell) was advised by aide/lover Gwen (Kristin Lehman) to reverse their campaign's fortunes by asking Rosie's parents to appear in a commercial with him. However, he decided against such a crass act and instead offered genuine condolence to Mitch (Michelle Forbes) at a supermarket, sympathizing with her situation and likening it to when he lost his wife.
  • Stan was told by his friend Belko that customers are cancelling removal dates because they're finding it difficult to face him, and later asked Belko to find out who the police have been interviewing at Rosie's school. It looks like Stan's getting antsy over the lack of progress and wants to find his own form of justice.
  • Linden and Holder watch a Super 8 video Rosie made before her death, supplied to them by Ahmed as proof she was a creative person he just wanted to inspire, and notice a reflected face in the images. Who was she filming? The secret lover/friend who killed her?
  • Jamie told Richmond that he believes Gwen is the mole in his campaign team, planted by Mayor Adams (Tom Butler.) However, after Jamie's meeting with Adams and his campaign manager Benjamin Abani (Colin Lawrence), Adams himself mentions how he caught Councilwoman Yitanes (Lee Garlington) trying to put a mole in his camp, so likely tried to same tactic successfully with Richmond. Gwen once worked for Yitanes, so becomes the prime suspect, but it turned out communications aide Nathan Patrick was the mole. Richmond exposed the deception and managed to keep Yitanes endorsement by threatening her with a prison sentence for the felony.
  • Linden and Holder interviewed Bennet Ahmed's pregnant wife Amber at their home, with Linden slinking away to a room containing plastic sheeting and a tub of ammonium hydroxide -- a floor cleaning chemical which can be used to clean bodies of incriminating evidence and was detected on Rosie's body.
Suspects:

  • Ahmed is still the prime suspect after two episodes, but it's too easy if he's the killer, as we're not even halfway through the season. It must be simple coincidence that he used ammonium hydroxide on his floors, and the suspicious circumstances surrounding him (canceling the professional floor cleaners, calling his wife from a cell-phone) are just bad luck. I won't really take any suspects seriously until around episode 9, which is a problem for this show and its long-form format.
  • Are we looking for a professional killer who knew how to scrub a dead body of forensic evidence using ammonium hydroxide, as Larsen now suspects? Was Rosie sexually assaulted after all? If this is the work of a serial killer, are there old cases that match Rosie's fate in the Washington area?
  • Gwen is off the hook as the mole, but appears to have been unfaithful to Richmond (once sleeping with the man she's just hired to shoot their campaign video.)
  • Mayor Adams, or a member of his campaign team, could still be the murderer, having killed as a means to ruin Richmond's chances. But is that too heartless?
  • Whoever accompanied Rosie while she was making her Super 8 video can also be considered a suspect, but we have no idea who that might be. It still seems more than likely her killer was someone she knew, though. The dominance of butterflies in Rosie's film, together with the giant butterfly collage on her bedroom wall, has me suspecting lepidopterist's in the Seattle area...
  • If it is a serial killer, do you think the culprit is someone Linden has investigated before? Her fiancé Rick (Callum Keith Rennie) seems very concerned that this case is stoking memories of something from Linden's past that's best forgotten, so maybe she failed to catch a killer who's now resumed his work?
Summation:

"Super 8" was the worst episode of The Killing that's aired so far, mainly because it focused so much on the political subplot which doesn't feel very relevant to the murder investigation, although it is less predictable. The fact it exists is either a clever but frustrating distraction from the murder case, or a clear sign someone on Richmond or the Mayor's payroll is the killer. It's also becoming a more noticeable chore to get through scenes where the Larsen's show their grief, which sometimes overshadows the fine work being done by Forbes and Sexton. The latter's private restroom meltdown after viewing his daughter's body, now dressed for her funeral, was excellent, but we're in danger of becoming desensitized or bored by scenes like this.

Hopefully the funeral will mark a noticeable turning point, and there's already a sign that Stan's about to take matters into his own hands rather than sit back and wait for the cops to solve the case. It's a tough one, because to be realistic the show has to show the Larsen's going through hell, but there's only so much of that an audience can take before it starts becoming too much of a downer. Unfortunately, the format of The Killing means there's unlikely to be a curative boost of positive emotion until the killer's caught, probably in the finale. Although there's some doubt The Killing's even going to end the story this season, and the case may rumble into next year, Twin Peaks-style.

Aside:

  • What's up with Holder? Celibate for six months? Taking receipt of packages of money? Delivering said money to the mailbox of a woman with two children? My guess is he's giving anonymous money to his estranged family.
written by Jeremy Doner / directed by Phil Abraham / 24 April 2011 / AMC

Read more...

'THE KILLING' 1.4 - "A Soundless Echo"


AMC's crime drama The Killing continues, with a slight feeling of formula creeping into the equation, but hopefully things will be given a shake before audiences start to feel too much repetition. "A Soundless Echo" was another enjoyable and compelling hour, all things considered, with strengthening of key characters and their relationships, together with brand new clues bubbling to the surface.

Overview:

  • Kris (Gharrett Patrick Paon) was interrogated by Linden and Holder over the cell-phone video that appeared to show him having sex with Rosie with his friend Jasper (Richard Harmon), all while suffering withdrawals from crystal meth.
  • Mitch (Michelle Forbes) and Stan (Brent Sexton) viewed caskets to bury their daughter in, before Mitch berated the priest who'll be conducting the funeral service for his reassuring words about God.
  • Richmond (Billy Campbell) learned that Mayor Adams (Tom Butler) now has an eight-point lead in the polls because the Rosie Larsen murder has destabilized his campaign, so Gwen (Kristin Lehman) suggests he secure a donation from entrepreneur Tom Drexler (Patrick Gilmore) to finance more publicity.
  • Mayor Adams met Richmond's fired campaign manager Jamie at a bar, offering him the chance to join his "winning party", but it's later revealed Jamie's defection is just part of a strategy with Richmond to plant a mole in Adams' camp.
  • Rosie's best friend Sterling (Kacey Rohl) admitted that she's the person in the incriminating cell-phone video having sex with Kris and Jasper, wearing Rosie's Halloween costume.
  • Acting on a supposition from Sterling that Rosie was having an affair with someone, possibly an adult, Holder traced her movements on a No108 bus through town, eventually arriving at the end of the line -- the Seattle All-Stars after-school hoops-program HQ, where her teacher Bennet Ahmed (Brandon Jay McLaren) is coach.
  • Rick (Callum Keith Rennie) surprised his fiancée Linden by appearing aboard Regi's boat, providing a welcome distraction from the Larsen case.
  • Stan was upset he can't afford to move his family into a new home as a surprise, and had to ask for money from a man called Janek Kovarsky (Don Thompson) at a Polish restaurant (someone he's been avoiding for 17 years), before receiving several thousand dollars to help with household bills.
  • Linden searched Rosie's bedroom again, discovering handwritten love-letters from her teacher, Bennet Ahmed, hidden in a globe light.


Suspects:

  • Kris and Jasper are swiftly removed from being prime suspects after Sterling's admission, and that would also seem to suggest she had no part to play in her friend's death.
  • Obviously, Rosie's teacher Ahmed is now the number one suspect, although the fact he was perhaps having sex with an underage student doesn't necessarily make him a killer.
  • And what about Stan's mysterious past working for Janek? Was he a hitman or fixer 17 years ago? Did something happen to prompt Janek ordering a hit on his daughter Rosie?
  • There's also the possibility someone in Mayor Adams' campaign team killed Rosie, simply as a way of derailing Richmond's success at the polls, although that perhaps sounds too callous.
  • Maybe it's just me, but every time I see Callum Keith Rennie, I can't help thinking he'll be the killer, purely because he has a track record playing bad guys (see: Battlestar Galactica, Harper's Island.) Has he been cast as a double-bluff?


Summation:

This was a stronger episode than last week's, I thought, although I'm slightly worried every episode is following a familiar pattern: investigation, a breakthrough in the last few minutes, then a cliffhanger presenting us with a new prime suspect to exonerate next week. As I said a few weeks ago, the problem with The Killing's format is how you're aware there won't be a genuine breakthrough until later in the show's run. But it's still an entertaining journey through this rainswept city, and the thick atmosphere of misery isn't becoming too much of a problem because there's enough forward momentum.

I also liked how "A Soundless Echo" deepened the relationship between Linden and Rick (who have been separated on-screen until now), and threw a curveball with Stan's probable link to organized crime as a young man. Has something from his past come back to haunt him, or is this another instance of misdirection? It was also great to learn that Rosie wasn't all sweetness and light, but a complicated girl with secrets. It remains to be seen if her relationship with her teacher was wholly inappropriate, or if Ahmed's platonic affection for her had been allowed to slip into questionable areas, which Rosie had taken to heart. Maybe she had a crush on him, which he was encouraging because he was flattered by the attention, but it had never become anything serious? Rosie could have been meeting anyone at that basketball class, too, not specifically Ahmed.

As usual, there were some terrific moments here: like the Larsen's accidentally seeing their daughter's grisly evidence board at the police station, which gave them visual proof that Rosie did suffer before she died, contrary to what Linden told them by way of a small comfort. I just hope Michelle Forbes get more to do than play the grief-stricken mother until the bitter end. Hopefully, once Rosie's funeral is dealt with, the show will give Mitch a slightly different role in events. It might be nice to see her get proactive with the investigation, but the show definitely needs to do something, because another nine hours watching Mitch walk around with a glazed expression could become torturous for the viewers.

I've heard a few US critics complaining about The Killing's measured pace, but that appears to be a cultural difference of opinion. Here in the UK, the two-hour detective drama is a standard format, and we're used to mysteries being told over long stretches of time. The Killing's longer than most crime dramas (but still half the length of the Danish original!), but I don't feel impatient watching each hour unfold, because it does so in an absorbing way, and I know that you'll get more out of this show if you spend time with it. In the latter third, I have no doubt the hours of character-building will mean we're on the edge of our seats, as Linden and Holder get closer and closer to solving Rosie's murder.

Aside

  • The ubiquitous Alan Dale made an appearance here, which perhaps explained why Rosie's bus was the Number 108 -- that being a prominent number in the TV series Lost he was a key part of.
written by Soo Hugh / directed by Jennifer Getzinger / 17 April 2011 / AMC

Read more...

My Ping in TotalPing.com

  © Sexy Nude Celebrity