"THE FRANK MORGAN SHOW"


On Wednesday, I went to the Paley Center for Media so that I could check out a few TV projects by the late Robert Culp which had piqued my curiousity. Well, that, and to also renew my membership which ended that day.

The three TV projects were two historical programs keyed to the Bicentennial - "Give Me Liberty" with Richard Kiley and "Land Of The Free" with Burgess Meredith, both from 1974. The other one was a 1970 ITV movie written by John Mortimer - "Married Alive" with the loverly Diana Rigg.

I'll have more on my experience with those later, but I really wanted to tell you about the big bonanza - and I ain't talking Cartwrights here. I'm talking about an hour and an half of Frank Morgan goodness, truly a lost treasure!

You know Frank Morgan - he played Professor Marvel as well as the title character in 'The Wizard Of Oz'. As a kid, I always liked him in the role, but I favored Bolger's Scarecrow and Lahr's Lion more. Only now that I'm older have I come to realize that Frank Morgan is the actor to watch in the movie. He's absolutely brilliant!

I always was sorry that there was nothing to represent him in Toobworld, as he died in 1949,
when television was in its infancy. But then a few weeks ago I was in Midtown, at my favorite source for bootleg DVDs of old TV shows; I was there looking for more 'You Are There' compilations so that I won't run out of characters for the "As Seen On TV" showcase here in Inner Toob. And just by luck, I was able to meet the guy who supplies all of those DVDs for my source. (Like I'd tell the authorities where it is!)

Anyhoo, we got to talking, which he was happy to do so long as I kept grabbing his 20 buck cases, and he told me that one of his "holy grails" was 'The Frank Morgan Show'. He knew the Paley Center had the only 3 episodes that were made and if he could find an inside source, this would be his goal: to dupe only this show out of everything in their collection. Apparently, the 'Wizard Of Oz' collectibles market is very lucrative and they'd pay top dollar for copies of this show.
Frank Morgan was contracted to do a TV series in those early days, one of the earliest of sitcoms, to be shown on the NBC network. He was able to complete the pilot and the next two episodes before he died unexpectedly of a heart attack.

According to the book "The Chimes At Midtown" (about the history of NBC, which I have in the Toobworld Central library) the premise of 'The Frank Morgan Show' was this: Morgan played an old con artist, grifter, and master of disguise named Frank Martin (no imagination wasted in coming up with that name!), who had abandoned his family many years before when his son was just a child. Eventually he was declared dead and his wife remarried, with her new husband adopting the son and legally changing his name.

Years later, young Francis Millbrook is grown up, a veteran of WWII, and has established himself in the District Attorney's office. Because of some big case he won, Millbrook finds himself running for Congress. But then a few days before the election, suddenly Frank Martin reappears in everybody's life. Now it's a mad scramble to keep him out of the way, and more importantly out of the papers, until after the election - which the polls showed as being very close. (Joseph Kearns was the guest star in the pilot, playing "The Distinguished Gentleman" who's running for re-election against Milbrook. Yep - that's how he was listed in the credits, no name.)
Quickly assaying the situation, Frank Martin presents himself as Franklin Pynge Salter, which is a play on his old con man nickname of "Frankie Pinch O' Salt" (because you had to take a grain of salt with everything he'd tell you). And without his son's knowledge until it's too late, he inserts himself into the campaign as an advisor. And the hokum he spins for the reporters, worthy of Bilko with a dash of Professor Irwin Corey, gives his son the edge in the election. (And it turns out that people listening to him on the radio thought they would be voting for him the next day.) And that's basically what happens in the first episode, "Prodigal Dad".


The only real downside was how they worked the commercials for Duz detergent (the show's sponsor) right into the storyline with each episode, even if it didn't really fit. Even at the Capitol building, they had to have a kitchen scene! It reminded me of how 'Martin Kane' made a point to involve their cigarette sponsor in each episode.

The other players in that pilot episode survived to the actual series - Robert Lowery as Francis Milbrook and Carole Matthews as daughter-in-law Claire Milbrook. Both were dull as dishwater in this, which is somewhat appropriate since the sponsor was Duz. But then I guess the point was they'd make Frank Morgan shine even more.

And as their son Jib, Georgie Noakes played the role. (I should bring my sister down to see this just for him! She's a fanatic for "It's A Wonderful Life", and I'm sure she'd recognize Georgie Noakes as young Harry Bailey.)
Frank's ex-wife Eleanor and her cantankerous sourpuss of a second husband Oliver Milbrook didn't show up until the third episode but they were mentioned a lot in the pilot. (They were played by Lee Patrick and Will Wright. Ms. Patrick was just getting warmed up for her later 'Topper' role.) Best of all, character actor Clinton Sundberg proved to be a great foil as Winston Tattersall, the campaign manager who was going to be Francis Milbrook's chief of staff down in Washington. (We never do learn what district Milbrook is supposedly representing.)


Winston sees Frank Morgan's character as a potential rival and is always trying to dig up some dirt on him.

There are two running routines throughout all three episodes: one is that Frank always calls Winston Tattersall "Winnie" which causes no end of frustration for Clinton Sundberg. The other is that no matter when a picture is taken in which "Franklin Pynge Salter" should show up, somehow he's never caught off-guard and always finds a way to hide his identity from the camera. (The funny thing was that it reminded me of last week's episode of 'How I Met Your Mother' in which no matter what situation, there was no way to take a bad picture of Barney Stimson. It also reminded me of how 'Bret Maverick' did everything he could to avoid getting his picture taken, at least in the sequel.) Oh, there was another special guest star in that pilot episode; at least, I think so - he certainly didn't get any credit! I think it was the Lassie then "acting" in the movies who appeared as Jib's collie Silky.

The second episode is "Running For Office Space" and is all about the family's move to Washington DC. And thanks to Frank Martin's con man skills, he's able to snare the best office of all in the Capitol for his son, even though he's a freshman Congressman.

Leo G. Carroll is the episode's guest star as a slightly befuddled old lion of Congress who can't quite ever fathom what this "Franklin Pynge Salter" is all about. But thanks to the intervention of old Frankie Pinch O' Salt, Francis Milbrook becomes a co-sponsor on a bill that Congressman Weatherby had been pushing for years. Not only that, he sees it get passed with a majority.

Oh, and Zasu Pitts has a cameo as a slightly flustered protestor outside the Capitol who doesn't know what to do with herself once the bill, which she also championed, finally gets passed.

The third episode is "A Little Something On The Side". A nosy reporter played by Arnold Stang
gets the idea that there must be something to the fact that both "Franklin Salter" and Francis Milbrook both have similar first names. But by the time the episode ends, it's stuffy stepfather Oliver who's suspected of being Frank Jr.'s actual father and that Eleanor was having an affair with him before her husband's death. The situation gets so escalated that eventually Arnold Stang's reporter is accusing Oliver of killing Frank Morgan's character back in the day. And it's only Frankie Pinch O' Salt's crafty shenanigans that gets them all out of hot water without revealing who he really is. (Frankly I'm surprised that for those times the topic was even attempted in the sitcom.)

Sadly, on the night before they were to start filming the fourth episode of 'The Frank Morgan Show', the actor unexpectedly suffered a major heart attack in Beverly Hills. This was on September 18, 1949, and the show was supposed to premiere the following week on NBC. I'm not sure if these three episodes aired or not - 'The Frank Morgan Show' was supposed to air on Wednesday nights at 8 pm before 'The Clock', and the replacement show, 'The Crisis', didn't premiere until October. So it is pozz'ble.....

All that remains of that last episode is a publicity picture of Morgan and the actors who played his son and daughter-in-law, with a menacing George Macready. (If I'm not mistaken, he was to play a determined FBI agent egged on by Clinton Sundberg's character of "Winnie" Tattersall to find the dirt on Frank Martin.

The production quality on the surviving recordings is not all that could be hoped for, but at least they were able to bring Frank Morgan into Toobworld. And on the pilot Nat Hiken was given credit for the story - considering his work years later with 'Sgt. Bilko', I'm not surprised, because that monologue which "Franklin Pynge Salter" delivers to rally the troops had bits of Phil Silvers all over it.

Normally, I would be surprised by the lack of any information on this series in the IMDb, but we all know how reliable THAT is! In fact, that Robert Culp program I went to see, "Land Of The Free" with Burgess Meredith isn't listed either......

So that was my day, a day like any other, filled with those events that alter and illuminate our times. And today will always be one I cherish.....


BCnU!


THREE MINUTE THEATER

Recently I entered a (very) short play into the annual "Three Minute Theater" competition here in New York City. The rules are simple - write an original play that runs no longer than three minutes.

I made it to the next stage, where I was asked to produce a staging of my play. So I asked a young actor named Ray D. Amell (best known in TV for a stupid human trick on 'The Jay Leno Show') to play George, and Natalie Major, a singer-songwriter, to play his sister Karen. An old college buddy, Michael Hillyer, was nice enough to direct it; and I even got John O'Creagh (last seen in Toobworld in an episode of 'Life On Mars') to pose as Old Man Holvak with Natalie for the painting. (That's just off to the right in the picture above.)

Unfortunately, somebody on the committee finally took a good look at the script and decided it really wasn't very original. But we had fun while it lasted!

So I thought I'd share the play now with you......


THICKER THAN WATER

THE PEOPLE:
GEORGE
KAREN
(THE FAMILY HOLVAK)

(Scene: a darkened room. We can just barely see the shape of a man sitting in a chair on the far right of the room.)

(A woman enters. She attempts to do the clap on routine for the lights.)

Karen (grumbling): Turn on.....

George: Are you afraid of the dark?

Karen: Bless me, Father!

(Karen stumbles to the nearest lamp and switches it on.)

Karen: George!

George: Karen....

Karen: Good grief! You again?

George: Baby, I'm back.

Karen: Who do you think you are? Wait til your father gets home!

George (laughing): Daddy-O? The biggest loser! Don't wait up. (Shows fake sense of mourning) General Hospital, imagine that! Daddy dearest, one foot in the grave....

Karen: What do you want, big brother?

George: Let's see.... in search of cool millions, believe it or not.

Karen: Over my dead body!

(George pulls out a gun.)

George: You asked for it.

Karen: The gun!

(Karen runs to the phone, but can't get a dial tone.)

George: Call for help?

(George holds up the severed phone line.)

Karen (pleading): Let's talk.... Let's make a deal......

George (mocking): Sister, sister.....

(George tosses a coin.)

George: Shoot... don't shoot....

(He checks result of the coin toss.)

George: Goodnight, sweetheart.

(George shoots Karen. She collapses on the floor.)

George: Goodness gracious me! Dead at 21......

(Pocketing the gun, George goes through her pockets until he finds a ring of keys.)

George: Thanks.

(George crosses the room to a picture hanging on the wall and studies it.)

George: Imagine that! You're in the picture!

(No response from Karen. With a shrug, he pulls the painting back to expose a safe.)

George: Eureka!

(He inserts the key but before it opens, huge pincers bolt out of the wall and crush him between them.)

George: The Vise!

(He dies.)

(Karen lifts her head.)

Karen: The Family Holvak... cursed!

(She collapses in death.)

The End

AS SEEN ON TV: "MARCONI"

"GUGLIAMO MARCONI"

AS SEEN IN:
"Sherlock Holmes And The Incident At Victoria Falls"

AS PLAYED BY:
Steven Gurney

BCnU!

FOR SHAME, ABC! FOR SHAME!

"[T]his is 'Lost.' The final season of 'Lost.'
It's sacred ground.
You don't clutter the screen during one of the show's final, pivotal episodes.
Or you piss people off."
Mike Schneider
Variety

But what do you expect? As either Morley Safer or Harry Reasoner - or maybe even Eric Sevareid - said, "TV executives should be nibbled to death by ducks."

BCnU!

CAPRICA 1.9 - "End Of The Line"

WRITER: Michael Taylor
DIRECTOR: Roxann Dawson
GUEST CAST: James Marsters, Polly Walker, Scott Porter, John Pyper-Ferguson, Alex Arsenault, Leah Gibson, Jill Teed, Hiro Kanagawa, Genevieve Buechner, James Pizzinato, Liam Sproule, Teryl Rothery, Johnson Gray & Zak Santiago
[SPOILERS] A lot happened in Caprica's mid-season finale (more than the past four episodes combined) and it delivered a real buzz in its final moments, leaving you excited about where the show's headed when it returns in October. But at the same time it felt rather forced and at odds with the measured pace that's been the show's style. It was as if the producers decided to throw three episodes worth of developments into one episode, almost out of desperation.

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Review renovation

After giving it some thought, I've decided to halt my reviews of Damages and FlashForward. I have too much on my plate right now, so I'm struggling to find time to write about them. The reason I've chosen to end reviews of those shows is because they get the least feedback and (in FlashForward's case) I've grown tired of writing about it. I'll continue to watch both, so if there's a particularly startling episode I'll probably post something, and FlashForward's finale will definitely be reviewed... but weekly reviews will cease with immediate effect.

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Seven and One: Kevin!


It's time to roll out another Seven and One! This week's Millennium fan is Kevin (Icubud)! Thank you Kevin for standing up and explaining your Millennium love to one and all. If you wish to complete a Seven and One yourselves and follow Kevin's wonderful example, simply email us on the address at the end of the blog entry. Remember, we have a basic and advanced Seven and One - take your pick which you would prefer to answer. Both are listed at the bottom of this post!

So without further ado! Shout out your Millennium wuv Kevin!

1. About You.

My name is Kevin, a.k.a. icubud, I work as an analyst at consumer goods corporation. In my spare time I am either reading [currently Stoker’s “Dracula”), creative writing, completing assignments as I am pursuing an MBA, or hanging out with my wife catching up on all the DVR shows of the week over the weekend.

2. Why are you a fan?

Millennium was the pick for me from the very beginning. The character, career, and life’s baggage of Frank appealed to me. The concept of the family, new starts, and the yellow house spoke volumes visually that many people wish they had the opportunity to actually do. As the show developed and we learned more about the millennium group, good vs. evil, conspiracy theories, and the Old Man – Frank’s journeys were my journeys too – and what a ride.

3. How long have you been a fan?

Since première of the pilot episode and now own the series in DVD format as they were released.

4. What's your favorite episode?

Unfair question but expected. Mikado, Roosters & Owls, Hand of St. Sebastian - and pretty much all the others.

5. What's your favorite scene or moment?

  • The tender scenes with Jordan – it was so easy to see they enjoyed working together.
  • Frank kicking in Watts patio door
  • Scenes when the devil is watching him on Halloween.

6. If a movie was made which characters would you like to see in it?

Everyone back as themselves. Story line would need to be good vs. evil and "take it on" without holding back. Frank, Scholars, anthropologists, criminalists, etc. vs. the evil.

7. Why do you think Millennium should come back?

The story was not allowed to play out and Chris Carter and team rarely gave it the full focus of their attention and creativity. Just think how MORE awesome the show would have been!

8. What are you watching right now?

Fringe, Criminal Minds, NCIS, Chuck, UK’s “Demons”, Numbers, 24, and Bones

Email your "seven and one" profile to info@backtofrankblack.com and we'll share you those responses to the Millennium world! We have a choice of 2 questionnaires - up to you which you use!


HARD SET (new!):
1. About You.
2. What was the most horrifying moment in the show?
3. What's your favourite quote from the show?
4. What's your favourite piece of music in Millennium (incidental or song)?
5. What is your opinion as to the nature of Frank's Gift?
6. What's your favourite episode ending?
1. If you were given the chance to make a Millennium movie, what would you focus on and why?

EASY SET:
1. About You.
2. Why are you a fan?
3. How long have you been a fan?
4. What's your favorite episode?
5. What's your favorite scene or moment?
6. If a movie was made which characters would you like to see in it?
1. What are you watching right now?

Don't be shy!

CHUCK 3.12 - "Chuck Versus The American Hero"

WRITERS: Matt Miller & Phil Klemmer (story by Max Denby)
DIRECTOR: Jeremiah Chechik
GUEST CAST: Brandon Routh, Bonita Friedericy, Mark Sheppard & Pepper Binkley
[SPOILERS] Originally intended to be season 3's penultimate episode, "Chuck Versus The American Hero" had the requisite big moments and exciting developments you'd expect, all converging into an enthralling final act that setup next week's erstwhile finale. As is common for Chuck, it was messy and unconvincing in certain areas, but I generally can't hate episodes that are as fast-paced and involving as this one became...

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FLASHFORWARD 1.13 - "Blowback"

WRITERS: Lisa Zwerling & Barbara Nance
DIRECTOR: Constantine Makris
GUEST CAST: Gabrielle Union, Laura Marano, Robert Neary, Kavita Patil & Tim "Timbaland" Mosley
[SPOILERS] Last week, I claimed I rarely stop watching a TV show I've started, but that doesn't stretch to writing about them. I'm still going to continue watching FlashForward until the bitter end -- because it's not long until the finale airs, and I'm intrigued to see if the later episodes pick up once David Goyer left as showrunner -- but "Blowback" was poor enough to make me stop writing about it every week. I may still chime in with a few thoughts occasionally (certainly for the finale), but writing about FlashForward every single week feels like it's extending the previous evening's irritation. A few brief thoughts on episode 13 before I signoff, for now:

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THE PRIMEVAL VOYAGE AFFAIR

In the TV series 'Primeval', Nick Cutter and his estranged wife Helen somehow altered the Earth's timeline while they were in the prehistoric past. When Nick returned, he found that not only had the work on anomaly research been accelerated, but that Claudia Brown no longer existed. However, a woman who looked just like her but with the name of Jenny Lewis basically was living out the life that should have been Claudia's.

That massive tweak to Toobworld's timeline didn't just affect the characters of 'Primeval' but all of the other TV shows as well, across the board - even in different countries. We can use this to help splain away recasting Zonks and other discrepancies. And we can also use it to tighten up the connections between series.

A good case in point would be of two characters played by James Doohan in the early 1960's (later to gain fame as Commander Montgomery Scott on 'Star Trek').

In the original Toobworld timeline, the President of the United States in the late 1960's, early 1970's was Henry Talbot McNeill - as seen in episodes of 'Voyage To The Bottom Of The Sea'. With the tweak to the timeline, the adjustment brought back Toobworld to be aligned with that of the real world: during that same time period, the Presidents were now Lyndon Johnson, Richard Nixon and Gerald Ford.

In that original timeline, President McNeill had an assistant played by Doohan. He was unnamed in the credits, but we're going to say that his last name was McInernay. Also we will contend that he had served in the Navy before going into government service.
In the new timeline, McInernay didn't go into politics, but instead kept to his seafaring background by becoming the second in command to Captain Shark - as seen in "The Shark Affair", an episode of 'The Man From U.N.C.L.E.' Although McInernay begged his captain to remain behind with him when their plans were foiled by U.N.C.L.E., Captain Shark forced his first mate to abandon ship as it sank.
This way, two one-shot characters played by James Doohan can connect two classic sci-fi TV series, albeit in alternate dimensions.

And how you doohan.....?

BCnU!

A COUPLE OF CULP CULPRITS

Years ago I wrote a Toobworld essay called "Culp Ability", about why so many TV characters looked like Robert Culp, the Hollywood star of "Bob And Carol And Ted And Alice". I'll be tweaking that essay soon to present it here in the Inner Toob blog. But in the meantime, I've taken out one of the candidates for inclusion because I think I have a better background check for him......

SIBLING DEVILTRY
Allen Leighton
'The Outer Limits'
"The Architects Of Fear"
Arthur Farnley Selwyn
(Captain Shark)
'The Man From U.N.C.L.E.'
"The Shark Affair"


It's Toobworld Central's Theory of Relateeveety that Allen and Arthur were twin brothers. The reason for the name change? It could be that their parents separated and each parent raised one of the boys. Eventually Mrs. Leighton remarried and Arthur's step-dad adopted him and gave him his surname.

But the boys stayed in contact and both of them developed a concern for the future of Mankind and the safety of Earth. (This probably grew out of their views about their own family lives.) Unfortunately, both of them took misguided actions in trying to combat the growing threat to the world. Allen Leighton became a scientist who joined with others in a plan to band Humanity together in a common cause by making them believe that the Earth was threatened by a potential alien invasion. Allen volunteered to undergo the painful injections and surgeries necessary to transform him into a believable alien being.

However, his "spaceship" went off course and he was shot by hunters out in the woods. Dying, he staggered back to the secret facility where he was reunited with his wife (who never believed that he was killed in a plane crash as she was told at the beginning of the project.)

Mrs. Leighton was pregnant by this point, so Allen's branch of the family tree lived on. A look through the IMDb list of characters with the last name of "Leighton" could probably turn up at least one person who could have been Allen's offspring...... Meanwhile, Arthur also was convinced that the world would soon destroy itself in a nuclear holocaust, so he turned to piracy as Captain Shark. His intentions were noble - he planned to gather the people and supplies needed to repopulate the Earth after Armegeddon. U.N.C.L.E. agents Napoleon Solo and Ilya Kuryakin were able to stop him and rescue his captives, but Captain Shark chose death over capture and went down with his ship.

It is unknown if Arthur Selwyn left behind any children of his own.....

BCnU!

AS SEEN ON TV/HAT SQUAD: BABY JUNE

June Havoc passed away on Sunday; she was 97. Part of her life was immortalized in the musical "Gypsy" (Her sister was Gypsy Rose Lee.), which had a Toobworld treatment back in 1993.

JUNE HAVOC
"BABY JUNE"


AS SEEN IN:
"Gypsy"

AS PLAYED BY:
Lacey Chavert

She had her own syndicated talk show, 'The June Havoc Show' back in 1964 which was also known as 'More Havoc'. Among the series in which she had regular roles were the soap operas 'General Hospital' and 'Search For Tomorrow'.
She contributed characters to the population of Toobworld in 'The Paper Chase', 'McMillan & Wife', 'Burke's Law', and 'The Outer Limits', as well as in many of the anthology series of the 1950's. She also appeared in two episodes of 'Murder, She Wrote', but the one to check out is "The Grand Old Lady". (This could be a reference either to the luxury liner on which it takes place or to Ms. Havoc's character, 1940's mystery author Lady Abigail Austin who was somewhat pattered after Agatha Christie.

Although the series didn't last long, her greatest contribution to the "Tele-Folks Directory" of Earth Prime-Time was her starring role in 'Willy'. Willa Dodger graduated from law school in the mid-1950's and established a law practice in her hometown of Renfrew, New Hampshire. But when business proved to be too slow, she packed her bags and left for New York, where she got a job as the legal representation for a burlesque vaudeville organization.
It's amazing to think that June Havoc began her theatrical career in 1918 and it lasted into the 21st Century!
Good night and may God bless.

BCnU......

Doctor Who: Radio Times' Guide + TARDIS photos


The TARDIS Base have transcribed the Radio Times' episode guide to the new series of Doctor Who, which starts this Saturday on BBC1/HD at 6.20pm. You can read it below (with a few minor changes by myself and some photos from the article), but beware of spoilers -- of the kind a national TV listings magazine thought appropriate to wet everyone's appetite with, of course, so nothing too major.

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New footage from Lance's upcoming film The Witches of Oz

Some new exclusive content over at The Witches of Oz website www.followtheyellowbrickroad.com - there's a short movie that composites film footage and behind the scenes footage to the words of the projects head honcho and brain child, Leigh Scott.


Witces of Oz stars Millennium lead, Frank Black himself, Lance Henriksen alongside Christopher Lloyd, Jason Mews, Mia Sara and those wonderful Hobbits, Billy Boyd and Sean Astin.

Check it out - looks fun!

BREAKING BAD 3.2 - "Caballo Sin Nombre"

WRITER: Peter Gould
DIRECTOR: Adam Bernstein
GUEST CAST: Bob Odenkirk, Michael Bofshever, Jonathan Banks, Giancarlo Esposito, Luis Moncada & Steven Michael Quezada
[SPOILERS] "Caballo Sin Nombre" (Spanish for "Horse With No Name", the song that opened the show), was another fascinating and gripping installment of this excellent series, that I felt was even better than the premiere. This season's torment for Walter (Bryan Cranston) is undoubtedly going to be his breakup with Skyler (Anna Gunn), which he can't even explain the circumstances of to his own son (R.J Mitte), but there's also trouble brewing just beyond his field of perception in the disquieting shape of those two Mexican cousins...

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MAD MEN 3.10 - "The Color Blue"

WRITERS: Kater Gordon and Matthew Weiner
DIRECTOR: Michael Uppendahl
GUEST CAST: Abigail Spencer, Marshall Allman, Christopher Stanley, Charles Shaughnessy, Embeth Davidtz, Kiernan Shipka, Alison Brie, Peyton List, Crista Flanagan, Laura Regan, Ryan Cartwright, Mary Anne McGarry, Hal Landon Jr., Deborah Lacey, Alexa Alemanni, Jared S. Gilmore, Neil Dickson, Anthony Burch & Shannon Welles
[SPOILERS] There's a lovely scene between Suzanne (Abigail Spencer) and Don (Jon Hamm) when they're in bed together, and she recounts the time a little boy in her class wondered if other people's perception of the colour blue is the same as his own. Don answers the conundrum by suggesting that "people may see things differently, but they don't really want to." This episode, entitled "The Color Blue", was certainly all about how people perceive things the way they want, despite the fact everyone's seeing the same thing...

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GLEE 1.13 - "Sectionals"

WRITER & DIRECTOR: Bryan Falchuk
GUEST CAST: Jenna Ushkowitz, Eve, Anna Camp, Patricia Forte, Michael Hitchcock, Naya Rivera, Heather Morris, Bill A. Jones, Dijon Talton, Harry Shum Jr., Josh Sussman, Peter Choi & Thomasina Gross
[SPOILERS] I thought we'd never get there, but it's finally time for Sectionals. The first half of Glee's mostly entertaining, but often frustrating season drew to a close, with an episode that didn't quite achieve the joyous feeling of a mini-climax (maybe they're saving that for the finale?), but the usual mix of energetic songs and witty dialogue just about hid the narrative bumps in the road...

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